There’s no shortage of movie musicals based on popular plays. Far fewer are based on operas. Max Ophüls’s rarely seen 1932 film “The Bartered Bride,” a seventy-six-minute, giddily inventive adaptation ...

BOSTON — As I listen to the overture of Bedřich Smetana’s "The Bartered Bride" in preparation for my call with Boston Midsummer Opera music director and conductor Susan Davenny Wyner, I sense ...

There is much to admire in Daniel Slater's The Bartered Bride, updating Smetana's 19th-century peasant marriage market to edgier times, a century on during the Prague Spring. The opening chorus, ...

Southeast Missouri State University's Department of Music hosted two performances of Bedric Smetana's 19th century opera, The Bartered Bride, on January 20, 2017 and January 22, 2017 at Donald C.

So do we exchange jolly peasants for glowering apparatchiks? Hardly – this is as entertaining a version of Smetana’s opera as you could wish, but the celebration of Czech nationalism has extra edge ...

Smetana and the librettist Karel Sabina masterfully mocked all those who expected the "national opera" to be an idyllic picture of the Czech countryside, with its inhabitants being virtuous and ...

And it has an anti-hero in the person of a youth with a stammer, who gets laughed at and ends up as a circus bear. The fact that the proposed sale is a trick to enable a genuine love match is the sort ...

3 Video: Michael Greif Picks the Shows That Shaped Him We haven't seen a lot of Smetana's The Bartered Bride in the UK recently. Bohemia's best-loved opera is rapidly becoming one of the repertoire's ...

This company’s chorus is one of its greatest assets, and every syllable tells. First staged in 1998, Daniel Slater’s production of Smetana’s Czech nationalist classic sets the action in the early ...

In an Act One duet, Marenka and Jenik (Christiane Oelze and Ales Briscein) pledge their love, after learning that Marenka's parents have promised her to someone else. Marenka (Christiane Oelze) sings ...

Marenka sings a far different duet in Act Two, seducing the hapless Vasek (Ales Voracek) without letting him know who she really is. Bedrich Smetana wrote music so clearly rooted in his Czech homeland ...